Archive for February, 2024

Alexis Alrich

Monday, February 26th, 2024
Alexis Alrich in chair outside

Alexis Alrich

Alexis Alrich’s musical tapestry is woven with threads of the global soundscape, a blend that started forming when she began composing music at the tender age of eight. Her path led her through the esteemed corridors of the New England Conservatory of Music and the California Institute of the Arts, culminating in a master’s degree in music composition from Mills College under the tutelage of Lou Harrison.

Alrich’s compositions resonate with the rich traditions of Western classical music, yet they dance to the rhythms of minimalism, whisper in the hues of French Impressionism, and echo the percussive patterns of gamelan and Chinese music, all the while keeping a foot firmly planted in the soil of American roots music. Her style is distinctively melodic and tonally vibrant, crafted with lively rhythms and a colorful timbral palette that together weave a compelling musical narrative.

Acclaimed by audiences and lauded by critics, Alrich’s three-movement Marimba Concerto is emblematic of her ability to create a distinctively lyrical world. With a style that is uniquely hers, Alrich has seen her works, including her Marimba Concerto and Bell and Drum Tower, released on Naxos Records, earning praise for their fresh energy and musical richness.

Recognition for her work extends beyond the stage, with numerous grants and commissions underscoring her contribution to the arts. The Upstate California Creative Corps grant and the commission of “Sierra Rhapsody” for pianist Lynn Schugren highlight her recent accolades, with the latter piece premiering to the delight of Grass Valley audiences in September 2023. Her commitment to composing for communities is palpable, as seen in her “Continental Harmony” grant composition, “Maine Suite,” which bridges cultural divides through music.

Nature’s muse sings through Alrich’s work, from the piano-driven “Voice of the Forest” to the string quartet “Canoeing Silver Lake,” reflecting her deep connection to the environment. Her global journey, from San Francisco to Hong Kong and back to California, has infused her music with an eclectic array of cultural inflections, as evidenced by commissions such as “Shadow in the Moon” and “Song of Eternal Regret.”

Alrich’s versatility shines not only in her compositions but also in her performance as a pianist. Her chamber music, including the evocative “Chase Me” for violin duo and the “Water Colors” for a string ensemble, showcases her multifaceted artistry. Her contributions to the Nevada County Composers Cooperative and her featured performances in their concert series reflect her ongoing engagement with the music community.

Published by Alto Publications and Pavane Publishing, Alexis Alrich’s music invites listeners to a world where classical tradition and global musical narratives converge, creating an experience that is both rooted and transcendent.

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Echoes of the Sierra Nevada with Alexis Alrich

Monday, February 26th, 2024

Echoes of the Sierra Nevada with Alexis Alrich

Echoes of the Sierra Nevada is a captivating episode from our music series that delves into the breathtaking landscapes of the Sierra Nevada through the musical lens of Alexis Alrich. This episode features an exclusive interview with Alrich, where she discusses the creative journey behind “Sierra Rhapsody,” a composition commissioned by the talented pianist Lynn Schugren. Inspired by the serene beauty of the Sierra Nevada, from its majestic peaks to vibrant wildflowers, Alrich masterfully blends global influences into her classical music, creating a piece that serves as a heartfelt homage to nature. Discover how “Sierra Rhapsody” captures the essence of the Sierra Nevadas, offering a musical journey that deepens our appreciation for nature’s role in inspiring art.

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A Musical Homage: Crafting My Variation for Dr. Mark Alburger’s Memorial

Tuesday, February 13th, 2024

In a whirlwind week filled with the debut of my new show “Music from Humans,” Chinese New Year celebrations, and Super Bowl excitement, I managed to complete my composition ahead of the deadline. This piece is part of a unique tribute for the SFCCO’s memorial concert, Leaving a Mark, for Dr. Mark Alburger, where composers were invited to create a two-minute variation based on themes from his opera, Antigone.

Delving into Antigone’s Musical Legacy

Dr. Alburger described Antigone as a “grid” opera, inspired by Mozart’s The Magic Flute, yet distinctly marked by rebellion—transforming major keys to minor, quickening slow tempos, and infusing rhythms with syncopation. It draws from a vast array of musical influences, from Philip Glass and J.S. Bach to ’70s pop and beyond, weaving them into a unique musical narrative.

In my composition, the echoes of Philip Glass and the unmistakable inverted BACH motif are predominant. Mark’s music often possessed a crystalline quality, which I aimed to highlight, alongside a middle section that served as a lament, a personal tribute to Mark’s influence on me.

BACH motif
Mark Alburger's theme from Antigone

Mark Alburger's theme from Antigone

The Challenge of Brevity

Condensing my vision into a mere two minutes was a formidable task. My initial intro took up nearly half the allotted time, prompting a meticulous process of distillation to ensure every note contributed to the narrative within the tight constraints.

A Deep Dive into Composition

In crafting the introduction, I chose to echo Mark’s style with a Glass-inspired beginning, yet I ventured further by inverting it and extending the measure lengths as a variation on his idea.

Beginning of Mark’s Overture to Antigone.
Beginning of my variation.

Drawing from my previous work, I attempted to encode Mark’s name in Morse code within the composition. This required some adjustment from my initial idea. The solution came through doubling the note values and distilling the homage to just his first name, boldly carried by the brass section, creating a powerful and vibrant contrast against the minimalist backdrop.

My lament section.

Transitioning into the lament, I deliberately slowed the pace, while maintaining the inverted BACH motif and Glass’s harmonic accompaniment. Here, I introduced a personal touch by integrating my surname in Morse code, with the alto sax and bassoon leading this segment. These instruments, which I frequently played in Mark’s compositions, added a deeply personal layer to the tribute.

The composition circles back to its introductory motifs and tempo, leading to a brass-led finale that I believe Mark would have appreciated. In this work, the brass and woodwinds each take their lead in their respective sections, mirroring the dual nature of Mark’s musical legacy—the bold and the introspective.

Anticipation and Reflection

As I await the ensemble of variations from fellow composers, the anticipation of weaving these diverse tributes into a cohesive concert piece grows. This process has been a profound journey, not just in honoring Dr. Alburger’s musical innovations but also in exploring the depths of my creative expression.

The Road Ahead

With several tasks still pending for the concert on March 16th, including creating printed scores and final preparations for the orchestra, I’m readying myself for our first rehearsal. Once these are in hand, I plan to return to the project I had to momentarily set aside. This process, from conception to completion, has been a profound reminder of the power of music to honor and remember, to encapsulate the essence of a remarkable individual like Dr. Mark Alburger.

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Journey to Manala with Rent Romus

Monday, February 5th, 2024

Journey to Manala with Rent Romus

In this inaugural episode, we delve into the world of Rent Romus, an Emmy-awarded saxophone maestro and versatile instrumentalist whose artistic odyssey extends over three decades. Renowned for his powerful and passionate saxophone performances, Rent stands as a cornerstone of the West Coast creative music landscape. Our conversation explores his remarkable work, “Journey to Manala,” a compelling three-part suite that blends graphic and traditional scores alongside unique percussion elements. Join us as we traverse the enchanting realms of mythopoetic Finnish folklore, brought to life through the evocative music of Rent Romus.

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Rent Romus

Monday, February 5th, 2024
Rent Romus holding saxophone

Rent Romus

Rent Romus’ music deeply reflects his Finnish heritage, particularly through his innovative blend of postmodern jazz and traditional Finnish music. This synthesis is most prominently showcased in “The Otherworld Cycle,” and later “Manala”(underworld) both expansive suites that draws inspiration from Finnish folklore and mythology. These suite were created as part of Romus’ exploration of his Finnish ancestry, which he embraced more fully as he grew older.

His journey into incorporating Finnish elements into his music began in the late 1990s, inspired partly by his travels in Northern Europe where he collaborated with musicians from Denmark who fused jazz and their own folk music. Later he became particularly influenced by “The Kalevala,” a vast collection of Finnish songs and folklore which became the weapon of choice for Finnish Independence from Russia. These stories some of which can arguably be traced back as far as a millennium, resonated with him and inspired many of his compositions.

Working closely with Heikki Koskinen, Romus was also introduced to Karelian folk music and music by the indigenous Sami people realted through the Finno-Ugric language chain. These influences are woven throughout “The Otherworld Cycle,” and “Manala” where he uses traditional instruments like the kantele (a Finnish stringed instrument) alongside saxophones, flutes, and bells. The themes of the “Other World” in his music refer to a heritage found deep in the subconscious, interpreted from different perspectives through improvisation, traditional music, and composition.

In 2023, the Romus and Koksinen took their latest suite of music “Itkuja” (Lamentation) performing with their Finnish band, Otherworld Ensemble, drawing inspiration from the healing music of laments of the northern regions and elements of life-pulsating jazz. This project, among others, represents Romus’ commitment to celebrating and exploring his cultural heritage, using elements of Finnish pentameter rhythmic folk music interlaced with melodic themes, graphic, and improvisational components expressed in American Jazz.

Rent Romus’ embrace of his Finnish roots in his music is a testament to his versatility as a musician and his commitment to exploring and incorporating diverse cultural influences into his work.

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