Archive for May, 2024

Above and Below with Beth Schenck

Monday, May 27th, 2024

Above and Below with Beth Schenck

Join us as we dive into the world of Beth Schenck, a visionary saxophonist and composer who has been a dynamic force in the Bay Area’s music scene since 2013. Discover how Beth’s journey through the rhythms of jazz and beyond has led to groundbreaking musical projects such as the saxophone quartet Social Stutter and the Beth Schenck Quintet.

In this episode, Beth shares insights into her creative process, the challenges and inspirations during the pandemic that led to her profound solo album Above and Below. Tune in to explore how Beth’s saxophone serves as her voice, transforming personal and universal themes into a conversation with the soul of music. Don’t miss this intimate look at an artist who shapes sounds that define the essence of contemporary jazz and chamber music.

Further Exploration

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Beth Schenck

Monday, May 27th, 2024
Beth Schenck with saxophone

Beth Schenck

Beth Schenck is an accomplished saxophonist and composer known for her innovative contributions to contemporary jazz and experimental music. Her artistic journey is marked by a distinctive blend of melodic sensitivity, harmonic complexity, and an innovative spirit that transcends traditional jazz boundaries.

Early Life and Education

Beth Schenck’s musical path began in her formative years, driven by a deep passion for music. She pursued formal education at the University of Northern Iowa, earning a Bachelor of Music degree. Her quest for artistic growth led her to the California Institute of the Arts (CalArts), where she completed a Master of Fine Arts in Jazz Studies. At CalArts, she honed her skills under the mentorship of renowned musicians, which significantly shaped her musical outlook.

Musical Career

As a versatile performer, Schenck’s saxophone playing is celebrated for its lyrical quality and emotional depth. She has performed widely, both as a solo artist and as a member of various ensembles, captivating audiences with her expressive sound and technical proficiency.

Beth Schenck’s work as a composer is equally noteworthy. Her compositions often explore rich emotional landscapes and intricate narratives, earning acclaim for their originality and impact. She frequently engages in collaborative projects, showcasing her ability to integrate diverse musical influences into a cohesive artistic vision.

Social Stutter

Beth Schenck leads the innovative saxophone quartet Social Stutter, featuring prominent musicians Kasey Knudsen, Phillip Greenlief, and Cory Wright. The group is known for blurring the lines between strictly written chamber music and the expansive realms of free jazz, creating a dynamic and responsive soundscape that evolves with each performance. Social Stutter’s ability to combine structured compositions with improvisational freedom has garnered them recognition in the Bay Area’s vibrant music scene. Their participation in events such as the Outsound New Music Summit has showcased their commitment to pushing musical boundaries and exploring new realms of expression.

Teaching and Mentorship

In addition to her performing career, Beth Schenck is dedicated to music education. She has taught at various institutions, sharing her expertise and inspiring young musicians. Her teaching philosophy emphasizes creativity, technical skill, and the importance of developing a unique musical voice.

Recognition and Impact

Beth Schenck has received recognition for her artistic contributions, with her work being praised for its emotional depth and innovative approach. Her influence extends beyond her performances, as she continues to shape the musical landscape through her compositions and educational efforts.

Conclusion

Beth Schenck remains a dynamic and influential figure in contemporary music. Her commitment to artistic exploration and her ability to convey deep emotions through her music have earned her a respected place among today’s leading musicians and composers. As she continues to create and inspire, Beth Schenck’s impact on the world of jazz and beyond is sure to grow.

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Serendipitous Moments: Unplanned Brilliance in Orchestral Composition

Friday, May 24th, 2024

As my orchestra and “tape” composition continues to develop, I find myself on the cusp of choosing a fitting title that encapsulates its essence. In early May, I played a modern Requiem, which made me think about my piece as a smaller-scale Requiem. Currently, I’m oscillating between Lament for Democracy, Threnody for Democracy, and Democracy’s Lament, each with a potential subtitle of “You Can Do Anything” or “What You Can Do.” These titles reflect the poignant themes woven throughout the piece.

Deepening the Musical Dialogue

In recent sessions, I’ve been meticulously transcribing vocal lines into their instrumental counterparts, ensuring the orchestra resonates with the voices it aims to echo.

What You can Do

Meanwhile, earlier sections—originally drafted in a flurry of creative output—are now receiving their due refinement. This process of revisiting and polishing not only enhances clarity but also enriches the textural depth of the composition.

Embracing Serendipity in Composition

A particularly serendipitous moment reshaped a portion of the work in a way I hadn’t anticipated. While extending a repetitive segment, I halted at a random point to then play back the work and check the results. This unplanned pause aligned perfectly with a transition in the “tape”, creating a poignant, impactful moment. Captivated by this unexpected alignment, I adjusted the “tape” to fade out the background phase chant, leaving a solitary, resonant voice. This led to an intensified orchestral buildup that set the stage for a fresh thematic shift.

Unexpected Alignment

This happy accident underscored a valuable lesson in composition: the beauty of spontaneity. While it’s crucial to approach a work with intent, remaining open to the unexpected can lead to discoveries that surpass initial expectations. This flexibility has allowed me to embrace and integrate changes that enhance the narrative and emotional impact of the piece, reminding me that sometimes, serendipity can be more fortuitous than the most meticulous planning.

Looking Ahead

As I continue to weave this intricate tapestry of sound and sentiment, I am reminded of the dynamic interplay between structure and improvisation. The next steps involve continuing the creation of the orchestra part and refining the orchestration, ensuring that each note and rest serves the greater narrative of the composition. Continue to follow the progress of this work and its hopeful debut in the fall, which promises to be both a reflection on and a tribute to the enduring spirit of democracy.

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Sun & Moon: Eclipse Variation

Saturday, May 4th, 2024

Sun & Moon: Eclipse Variation is a work deeply rooted in the concept of circle-music. This form of music embraces a structure where phrases can be performed in any sequence or timing, offering a rich tapestry of sound that defies traditional musical narratives. This new iteration reimagines a piece I first composed in 2008, offering a fresh performance map inspired by celestial mythology and the natural phenomena of eclipses.

Eclipse Variation Performance Map

Throughout history, the sun and moon have symbolized masculine and feminine energies—yin and yang. In Greek mythology, Helios (the sun) and Selene (the moon), who also lend their names to my cats, personify these celestial bodies. According to legend, a jealous Selene once eclipsed Helios, casting a shadow over Earth. This act was seen by some as ominous, and by others as a reminder of the eternal cycle of light and darkness.

This mythological tension is mirrored in cultural interpretations of solar eclipses across the world. From ancient China, where people banged drums to scare off a sun-swallowing dragon, to the Choctaw legend of a mischievous squirrel gnawing on the sun, and the Pomo’s tale of a bear arguing with the sun over who should move out of the other’s path—an argument that escalates into a fight, symbolizing the eclipse—these stories enrich our understanding of eclipses.

Today, we know that a total eclipse occurs due to a rare celestial alignment where the moon, though 400 times smaller, perfectly covers the sun due to its precise distance from Earth. Intriguingly, this phenomenon is not everlasting; the moon is gradually drifting away from us, predicting an eventual end to total solar eclipses in about 600 million years.

Sun & Moon: Eclipse Variation captures these diverse perspectives through a unique auditory experience. The composition, inspired by the solar eclipse on April 8, 2024. It begins with a vibrant music representing the sun at its zenith, which is gradually overshadowed by a darker, mysterious music symbolizing the moon. For 3 minutes and 51 seconds—the exact duration of totality in Dallas, TX—the moon’s music prevails, enveloping the soundscape in a profound quietude. As totality passes, the sun’s music gradually reemerges, reclaiming its place in the sonic hierarchy.

Through this piece, listeners are invited to experience the awe of an eclipse, not just as a visual spectacle, but as a profound auditory journey that encompasses the mythical, natural, and scientific dimensions of this celestial event.

Sun & Moon: Eclipse Variation

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