Archive for the ‘Jazz’ Category

Zelenskyy says, “Slava Ukraini”

Saturday, April 23rd, 2022

Zelenskyy says, "Slava Ukraini"

In the early stages of Russia’s unjust invasion of Ukraine, as Russian missiles rained down on Kyiv, President Volodymyr Zelenskyy was rumored to have vanished, a falsehood spread by Russian propaganda claiming he had fled the country. Defying these rumors, Zelenskyy appeared in a powerful recorded video. Standing resolutely in front of the presidential building, flanked by his senior advisors, he delivered a simple yet profound message:

“We’re all here,” he affirmed, “defending our independence, our country, and it will stay this way… Glory to Ukraine.”

This display of unwavering courage and resilience deeply moved me, inspiring the creation of a musical piece performed at the April 23rd Opus Project concert at the Center for New Music in San Francisco. The composition draws inspiration from the way President Zelenskyy concludes his speeches, especially on social media, with the stirring phrase, “Slava Ukraini” – “Glory to Ukraine.”

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Sunset Shapes

Saturday, November 13th, 2021

Sunset Shapes

Sunset Shapes is a unique musical collaboration with artist Ian Fink, featuring bass clarinet, soprano saxophone, and Chinese meditation chimes. This piece draws its inspiration from Fink’s painting “Houses,” known for its surrealistic portrayal of three-dimensional shapes and a captivating sky, which I envisioned as a sunset. The painting’s vivid imagery sparked a bass clarinet line in my mind, leading to the birth of this composition.

Influenced partly by Eric Dolphy’s Hat and Beard, the structure of Sunset Shapes is intriguingly unconventional, with every alternate repetition of the form extending by an additional measure. Different segments of the music are reflections of various elements within the painting, creating a rich tapestry of sound that mirrors the visual complexity of Fink’s work.

The world première of Sunset Shapes took place at the SFCCO virtual concert on November 13, 2021. It was also well-received during its showcase at an art and music event hosted by MENSA later in the same month.

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Iberian Impressions

Saturday, November 13th, 2021

Iberian Impressions

Iberian Impressions is an evocative collaboration between myself and artist Ian Fink, culminating in a solo flute piece steeped in the rich musical heritage of Spain. This composition was born out of a reflective conversation with friends about a concert tour in Spain back in 1992. It prominently features the Spanish Gypsy scale, also known as the Phrygian dominant scale, and draws inspiration from the distinctive performances of Eric Dolphy and Pharoah Sanders in John Coltrane’s Olé.

As the music of Iberian Impressions came to life, it spurred Ian Fink’s artistic creativity, leading him to create a painting titled “August 17, 2020.” This painting, featured in the accompanying video, captures the surreal day when San Francisco’s skies were shrouded in orange, a vivid reminder of the wildfires raging in the surrounding areas. The intersection of music and visual art in this project offers a profound and multi-sensory experience, encapsulating a moment in time marked by both cultural richness and environmental poignancy.

The world premiere of Iberian Impressions took place at the SFCCO virtual concert on November 13, 2021 . It was also well-received during its showcase at an art and music event hosted by MENSA later in the same month.

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A Love Letter: Minverva’s Dance

Monday, October 25th, 2010

Dancing to the original.

 
Minerva’s Dance was originally written for my wife and for our first dance as husband and wife in 2004. She loves tangos and the music of Astor Piazzolla, so I decide to write her a tango. I went into my studio and started laying down some tracks. My friend and band mate, Andrew Wilshusen laid down some percussion and a few days later I had it ready to go. Since this was a studio piece with long improvised sections only a small part of it was ever written down. In the summer of 2010 I decided to notate and expand the orchestration.  The flute and soprano sax are featured soloist. The flute solo is a transcription of the original solo I played but the sax solo for the 9/25/2010 SFCCO concert was improvised. My friend Erling Wold was originally going to play accordion on this concert but just be for the concert he got hit by a car and broke his leg. Minverva is the goddess of poetry, medicine, wisdom, commerce, weaving, crafts, magic, and the inventor of music.

SFCCO performs Minverva’s Dance

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Ha-Me’aggel for Orchestra

Saturday, June 9th, 2007

        I recently completed a new composition, Ha-Me’aggel (one who draws circles) for Orchestra (video) was premièred June 9th, 2007 by the SFCCO. This the biggest of my jazz and classical music to date. Originally this piece written for my quintet (woodwinds, trombone, cello, koto and percussion), the Cooke Quintet. The group recorded Ha-Me’aggel on An Indefinite Suspension of The Possible just 2 days after the première of “Music for Humans“. The CD was released on my label Black Hat Records. It has four sections, which in the original version could be played in any order, a form known as circle music. I felt that this piece would adapt well as a Concerto for Saxophone or Orchestra, though I had to make the form less flexible for an orchestra. There is some freedom to allow different instruments be featured but in the first performance alto sax (Michael Cooke), clarinet (Jonathan Russell), piano (Alexis Alrich) and timpani (Victor Flaviani) are featured instruments. These featured instruments have improvisational solo sections. The melodies in the piece were written using a Klezmer scale, which made me think of the story of Onias (Honi) Ha-Me’aggel, a first century Jewish scholar who drew a circle and placed himself in the center of it, praying for rain and whose prayers were mysteriously and immediately answered. My prayers where also answered, as this piece was made possible by a Creative Connections Award from Meet The Composer.

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