Archive for the ‘Uncategorized’ Category

Alexis Alrich

Monday, February 26th, 2024
Alexis Alrich in chair outside

Alexis Alrich

Alexis Alrich’s musical tapestry is woven with threads of the global soundscape, a blend that started forming when she began composing music at the tender age of eight. Her path led her through the esteemed corridors of the New England Conservatory of Music and the California Institute of the Arts, culminating in a master’s degree in music composition from Mills College under the tutelage of Lou Harrison.

Alrich’s compositions resonate with the rich traditions of Western classical music, yet they dance to the rhythms of minimalism, whisper in the hues of French Impressionism, and echo the percussive patterns of gamelan and Chinese music, all the while keeping a foot firmly planted in the soil of American roots music. Her style is distinctively melodic and tonally vibrant, crafted with lively rhythms and a colorful timbral palette that together weave a compelling musical narrative.

Acclaimed by audiences and lauded by critics, Alrich’s three-movement Marimba Concerto is emblematic of her ability to create a distinctively lyrical world. With a style that is uniquely hers, Alrich has seen her works, including her Marimba Concerto and Bell and Drum Tower, released on Naxos Records, earning praise for their fresh energy and musical richness.

Recognition for her work extends beyond the stage, with numerous grants and commissions underscoring her contribution to the arts. The Upstate California Creative Corps grant and the commission of “Sierra Rhapsody” for pianist Lynn Schugren highlight her recent accolades, with the latter piece premiering to the delight of Grass Valley audiences in September 2023. Her commitment to composing for communities is palpable, as seen in her “Continental Harmony” grant composition, “Maine Suite,” which bridges cultural divides through music.

Nature’s muse sings through Alrich’s work, from the piano-driven “Voice of the Forest” to the string quartet “Canoeing Silver Lake,” reflecting her deep connection to the environment. Her global journey, from San Francisco to Hong Kong and back to California, has infused her music with an eclectic array of cultural inflections, as evidenced by commissions such as “Shadow in the Moon” and “Song of Eternal Regret.”

Alrich’s versatility shines not only in her compositions but also in her performance as a pianist. Her chamber music, including the evocative “Chase Me” for violin duo and the “Water Colors” for a string ensemble, showcases her multifaceted artistry. Her contributions to the Nevada County Composers Cooperative and her featured performances in their concert series reflect her ongoing engagement with the music community.

Published by Alto Publications and Pavane Publishing, Alexis Alrich’s music invites listeners to a world where classical tradition and global musical narratives converge, creating an experience that is both rooted and transcendent.

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Rent Romus

Monday, February 5th, 2024
Rent Romus holding saxophone

Rent Romus

Rent Romus’ music deeply reflects his Finnish heritage, particularly through his innovative blend of postmodern jazz and traditional Finnish music. This synthesis is most prominently showcased in “The Otherworld Cycle,” and later “Manala”(underworld) both expansive suites that draws inspiration from Finnish folklore and mythology. These suite were created as part of Romus’ exploration of his Finnish ancestry, which he embraced more fully as he grew older.

His journey into incorporating Finnish elements into his music began in the late 1990s, inspired partly by his travels in Northern Europe where he collaborated with musicians from Denmark who fused jazz and their own folk music. Later he became particularly influenced by “The Kalevala,” a vast collection of Finnish songs and folklore which became the weapon of choice for Finnish Independence from Russia. These stories some of which can arguably be traced back as far as a millennium, resonated with him and inspired many of his compositions.

Working closely with Heikki Koskinen, Romus was also introduced to Karelian folk music and music by the indigenous Sami people realted through the Finno-Ugric language chain. These influences are woven throughout “The Otherworld Cycle,” and “Manala” where he uses traditional instruments like the kantele (a Finnish stringed instrument) alongside saxophones, flutes, and bells. The themes of the “Other World” in his music refer to a heritage found deep in the subconscious, interpreted from different perspectives through improvisation, traditional music, and composition.

In 2023, the Romus and Koksinen took their latest suite of music “Itkuja” (Lamentation) performing with their Finnish band, Otherworld Ensemble, drawing inspiration from the healing music of laments of the northern regions and elements of life-pulsating jazz. This project, among others, represents Romus’ commitment to celebrating and exploring his cultural heritage, using elements of Finnish pentameter rhythmic folk music interlaced with melodic themes, graphic, and improvisational components expressed in American Jazz.

Rent Romus’ embrace of his Finnish roots in his music is a testament to his versatility as a musician and his commitment to exploring and incorporating diverse cultural influences into his work.

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