Posts Tagged ‘flute’

Rekindling the Holiday Spirit with Christmas Carols

Tuesday, December 17th, 2024

Last year, as the holidays drew near, I was looking for a way to immerse myself in the festive spirit when I decided to play some Christmas Carols. Amidst a hectic schedule and the distractions of politics, the quintessential Christmas feeling seemed elusive. I realized that scents and sounds possess a profound ability to trigger memories and evoke nostalgia.

During the holiday season, we bring out a collection of Christmas carol plates from the 1980s by Royal Doulton. These beautifully crafted plates not only add a touch of elegance to our decor but also serve as a nostalgic reminder of past celebrations. To enhance our festive atmosphere, I decided to play the Christmas carols on these plates, creating a sensory experience that brings everyone into the holiday mood.

Christmas carols are more than just melodies; they are timeless stories that connect us across generations and cultures. From the serene “Silent Night” to the joyful “We Wish You a Merry Christmas,” each carol carries rich origins and enduring charm.

Originally stemming from medieval pagan Winter Solstice celebrations, carols were songs of dance, praise, and joy. As Christianity spread, these festive tunes were adapted to celebrate Christmas, preserving their spirited essence. The Victorian era revitalized caroling traditions, with influences like Charles Dickens’ “A Christmas Carol” shaping modern celebrations. Globally, carols such as Spain’s “Feliz Navidad” have added diverse flavors to the repertoire.

Today, Christmas carols encompass a variety of musical styles, with jazzy renditions standing out for their lively appeal. Embracing the tradition of community singing, I’m sharing this virtual caroling experience to unite friends and family worldwide. This approach keeps the spirit of caroling vibrant and meaningful, even when we’re apart.


I Saw Three Ships” is a beloved traditional Christmas carol that dates back to the 17th century, originating from the coastal regions of England. The charming melody and simple, evocative lyrics depict the joyous arrival of three ships laden with treasures, symbolizing the gifts of the Magi and the spirit of giving that defines the holiday season. Often sung with lively harmony, this carol captures the excitement and wonder of Christmas Eve, bringing warmth and cheer to gatherings. Its enduring popularity lies in its ability to evoke vivid imagery and foster a sense of community as families and friends come together to celebrate the festive spirit.

I Saw Three Ships (Come Sailing In)

While Shepherds Watched Their Flocks

While Shepherds Watched Their Flocks” is a cherished Christmas carol that tells the serene story of the shepherds who first received the divine announcement of Jesus Christ’s birth. Originating in the early 19th century, the carol draws inspiration from the biblical account in the Gospel of Luke, highlighting themes of humility, awe, and divine intervention. Its gentle melody and heartfelt lyrics create a peaceful ambiance, reflecting the quiet night when angels proclaimed the good news. Often performed in churches and holiday gatherings, “While Shepherds Watched Their Flocks” serves as a poignant reminder of the true spirit of Christmas, celebrating faith and the miraculous events of that holy night.

The Holly and the Ivy” is a timeless Christmas carol with roots that trace back to medieval England, though its exact origins remain somewhat obscure. This traditional song beautifully intertwines Christian symbolism with natural imagery, using the holly and ivy plants as metaphors for the Holy Trinity and eternal life. The carol’s soothing melody and evocative lyrics celebrate the beauty of the winter season and the joyous spirit of Christmas. Over the centuries, “The Holly and the Ivy” has been embraced by various cultures and artists, each adding their unique interpretations while maintaining its heartfelt essence. Whether sung in churches, homes, or festive gatherings, this carol continues to evoke warmth and reverence, making it a beloved staple of holiday celebrations around the world.

The Holly and the Ivy

Hark! The Herald Angels Sing

Hark! The Herald Angels Sing” is one of the most celebrated and widely recognized Christmas carols, first published in 1739 with lyrics by Charles Wesley and later adapted by George Whitefield. The carol vividly narrates the joyous announcement of Jesus Christ’s birth by the angels to the shepherds, emphasizing themes of peace, goodwill, and divine love. Its uplifting melody and powerful lyrics have made it a staple in Christmas services, concerts, and festive gatherings around the world. Over the years, numerous artists have reimagined the song, infusing it with various musical styles while retaining its inspirational message. “Hark! The Herald Angels Sing” continues to inspire and uplift listeners, embodying the true spirit of the holiday season.

Merry Christmas.

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Iberian Impressions

Saturday, November 13th, 2021

Iberian Impressions

Iberian Impressions is an evocative collaboration between myself and artist Ian Fink, culminating in a solo flute piece steeped in the rich musical heritage of Spain. This composition was born out of a reflective conversation with friends about a concert tour in Spain back in 1992. It prominently features the Spanish Gypsy scale, also known as the Phrygian dominant scale, and draws inspiration from the distinctive performances of Eric Dolphy and Pharoah Sanders in John Coltrane’s Olé.

As the music of Iberian Impressions came to life, it spurred Ian Fink’s artistic creativity, leading him to create a painting titled “August 17, 2020.” This painting, featured in the accompanying video, captures the surreal day when San Francisco’s skies were shrouded in orange, a vivid reminder of the wildfires raging in the surrounding areas. The intersection of music and visual art in this project offers a profound and multi-sensory experience, encapsulating a moment in time marked by both cultural richness and environmental poignancy.

The world premiere of Iberian Impressions took place at the SFCCO virtual concert on November 13, 2021 . It was also well-received during its showcase at an art and music event hosted by MENSA later in the same month.

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A Love Letter: Minverva’s Dance

Monday, October 25th, 2010

Dancing to the original.

 
Minerva’s Dance was originally written for my wife and for our first dance as husband and wife in 2004. She loves tangos and the music of Astor Piazzolla, so I decide to write her a tango. I went into my studio and started laying down some tracks. My friend and band mate, Andrew Wilshusen laid down some percussion and a few days later I had it ready to go. Since this was a studio piece with long improvised sections only a small part of it was ever written down. In the summer of 2010 I decided to notate and expand the orchestration.  The flute and soprano sax are featured soloist. The flute solo is a transcription of the original solo I played but the sax solo for the 9/25/2010 SFCCO concert was improvised. My friend Erling Wold was originally going to play accordion on this concert but just be for the concert he got hit by a car and broke his leg. Minverva is the goddess of poetry, medicine, wisdom, commerce, weaving, crafts, magic, and the inventor of music.

SFCCO performs Minverva’s Dance

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Concerto for Musician

Sunday, May 9th, 2004

     I finished writing a new guided improvisation orchestra piece called Concerto for Musician. Concerto for Musician, what does that mean? Unlike traditional concerto, which are usually for a particular instrument, Concerto for Musician is for a multi-instrumentalist. The first movement is for a soprano instrument, then second movement is for an alto instrument and the last movement is for a bass instrument. At the world premiere the “musician” was me, the composer. I played the first movement on flute, then second movement on alto saxophone and the third moment on bassoon.

     Each movement has a feeling or sound, which is reflected in the movement’s title. The first movement is entitled: Cosmological. This movement has a vast sound with flares of energy and twinkling. The first movement tapers in to the second movement, which is entitled: Mechanical. This movement has a fast pulse and sounds like many mechanisms working at once. Aqualogical is the title of the third movement, which has an organic and liquid sound. One can hear the depths and breadth of the ocean in this movement.

    Concerto for Musician uses an unusual compositional technique: guided improvisation. As apposed to free improvisation where everyone does what ever they hear or see fit during the music, guided improvisation uses some rules to limited the sounds and directions so the composer can get the sound and feeling he is after. Standard Jazz music could be considered guide improvisation, but the “rules” in Concerto for Musician are different then the rules of Jazz music. Some of the techniques used in this work are based on Larry Ochs’ “Radar” techniques. The soloist follows some rules as well, but is basically aloud to do want he/she wants. The soloist is encourage to use extend techniques like multi-phonics (playing more then one note at a time) and sounds on the instruments that are appropriate to the movement. The SFCCO premiered this piece (Program Notes) on May 9th, this performance would not be possible if it was not for the Subito grant I was awarded from the American Composers Forum.

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