Posts Tagged ‘Love Letter’

A Love Letter: To the Lady I’m with 20 Years

Wednesday, December 25th, 2024

In crafting music that speaks from the heart, I often reflect on the words of Wolfgang Amadeus Mozart. In a letter to his father dated November 8, 1777, Mozart wrote:

I cannot write poetically, for I am no poet.
I cannot artfully arrange my phrases so as to give light and shade.
Neither am I a painter;
Nor can I even express my thoughts by gesture and pantomime, for I am no dancer.
But I can do so in sounds.
I am a musician.

This profound declaration inspired me to create a collection of pieces I call Love Letters. Each piece is a musical expression lasting approximately 3-5 minutes, dedicated to someone dear to me. These compositions are my way of conveying emotions and memories that words alone cannot capture.

A Love Letter: To the Lady I’m with 20 Years is a tribute to my wife, commemorating our 20th wedding anniversary. The inspiration for this piece stemmed from our unforgettable journey through Turkey and Greece. Composed in binary form, the piece is thoughtfully divided into two distinct sections:

  • Section A: The Essence of Turkey The ‘A’ section embodies the rich cultural tapestry of Turkey, reflecting its land and air. To develop this section, I immersed myself in Turkish music, exploring its unique modes and intricate rhythmic patterns. Two traditional Turkish melodies served as particular inspirations. While Turkish modes often incorporate microtones, I sought to evoke their distinctive flavor by incorporating Bb and C# within a melody centered in A major. This melodic framework is harmonized using the Western-style D harmonic minor, creating a bridge between Eastern and Western musical sensibilities.
  • Section B: The Serenity of Greece Transitioning to the ‘B’ section, the composition captures the serene beauty of the Greek sea and its islands. I drew upon ancient Greek melodies, including one that resonated deeply from my college studies. This section is set in E minor and utilizes plagal cadences (IV-I) to convey a sense of resolution and tranquility. Additionally, the incorporation of whole-tone scales introduces a shimmering, fluid quality, reminiscent of the gentle waves and the timeless allure of the Greek islands.

Through A Love Letter: To the Lady I’m with 20 Years, I aim to celebrate not only two decades of marriage but also the enduring beauty of the places that visited celebrating our commitment to each other. This piece stands as a musical testament to love, memory, and time.

Share

A Love Letter: Minverva’s Dance

Monday, October 25th, 2010

Dancing to the original.

 
Minerva’s Dance was originally written for my wife and for our first dance as husband and wife in 2004. She loves tangos and the music of Astor Piazzolla, so I decide to write her a tango. I went into my studio and started laying down some tracks. My friend and band mate, Andrew Wilshusen laid down some percussion and a few days later I had it ready to go. Since this was a studio piece with long improvised sections only a small part of it was ever written down. In the summer of 2010 I decided to notate and expand the orchestration.  The flute and soprano sax are featured soloist. The flute solo is a transcription of the original solo I played but the sax solo for the 9/25/2010 SFCCO concert was improvised. My friend Erling Wold was originally going to play accordion on this concert but just be for the concert he got hit by a car and broke his leg. Minverva is the goddess of poetry, medicine, wisdom, commerce, weaving, crafts, magic, and the inventor of music.

SFCCO performs Minverva’s Dance

Share

A Love Letter: G.A.C. 26.2

Wednesday, August 18th, 2010

There is a quote from Wolfgang Amadeus Mozart’s letter to his father on November 8th 1777:

I cannot write poetically, for I am no poet.
I cannot artfully arrange my phrases so as to give light and shade.
Neither am I a painter;
Nor can I even express my thoughts by gesture and pantomime, for I am no dancer.
But I can do so in sounds.
I am a musician.

This quote inspired me to create a collection of pieces I call Love Letters. They are usually for piano, last about 3-5 minutes and are written for or about someone dear to me. Twenty years ago I decided I want to write one based on my father’s initials, GAC. But every time I sat down to write it I was unhappy with the results. After my parents visit this summer, I had a feeling time was running out and I sat down to try again. I finally heard something I was satisfied with and in a couple of weeks I completed the piece I have been wrestling with for twenty years. Not only did I use his initials but I used his full name by putting rests in place of letters not used by music notation. I also added in my own name at the end.

Notation of my Father's Name

Notation of My Father’s Name

Notation of my Name

Notation of My Name

My father is very interested in running and has run marathons all over the world so the A theme last 26.2 measures (26.2 miles is the length of a marathon) and the B theme is reminiscent of the music in the movie that inspired his desire to run “Chariots of Fire”. The finale is a culmination of all themes that runs on to the end.

Piano Version:
 

As I was finishing this composition I started to hear strings playing the B theme at finale so I decided to orchestrate it for chamber orchestra. On September 25th 2010 the SFCCO premièred this version.

G.A.C. for Orchestra

Share