Posts Tagged ‘Music from Humans’

When Nature Sings: Cheryl E. Leonard’s Sound

Tuesday, November 12th, 2024

When Nature Sings: Cheryl Leonard’s Sound

Prepare to enter a world where sound, art, and nature become one in the hands of Cheryl E. Leonard, a San Francisco-based composer, performer, and instrument builder. Cheryl’s unique approach involves creating musical instruments from materials like stones, ice, and water, collected from nature. In this episode, she shares how her experiences in remote locales, especially Antarctica, inspire her compositions and help reimagine our connection with the environment.

Subscribe to “Music from Humans” for more insights into the lives of creators who make our world a richer place through their art.

Further Exploration

Share

Cheryl E. Leonard

Tuesday, November 12th, 2024
Cheryl E. Leonard

Cheryl E. Leonard


Cheryl E. Leonard is a San Francisco-based composer, performer, field recordist, and instrument builder celebrated for her innovative work in sound art. Drawing on a profound engagement with the natural world, Leonard crafts her compositions using materials such as stones, wood, water, ice, sand, shells, feathers, and bones, often collected from remote environments including Antarctica and the Arctic. Her music not only delves into the sonic intricacies of these materials but also addresses pressing environmental issues like climate change and species extinction.

Leonard’s work has resonated on international stages across the Americas, Europe, Japan, and Australasia, and her recordings have been released under esteemed labels such as Other Minds, Mappa, and SubPop. An active participant in the academic discourse on music and sound art, her projects have been featured in documentaries like Tim Perkis’s Noisy People and on television programs such as KQED TV’s Spark.

A recipient of numerous grants and residencies, Leonard has been supported by organizations like the National Science Foundation’s Antarctic Artists and Writers Program and New Music USA. Her commissions include pieces for the Kronos Quartet and the San Francisco Museum of Modern Art, among others. Her installations, instruments, recordings, and graphic scores have been exhibited in museums and galleries worldwide.

Besides her solo projects, Leonard is deeply collaborative, working across disciplines with scientists, visual artists, and poets, and is a member of ensembles such as Euphotic and the Oakland Reductionist Orchestra. Her current efforts include contributing to a sound map of Point Reyes National Seashore.

Beyond her artistic endeavors, Leonard is an avid practitioner and teacher of Aikido, and her personal interests include backpacking, mountaineering, rock climbing, and backcountry skiing. She also collects spherical stones and pinecones with handles, reflecting her deep connection to the textures and forms of the natural world.

Share

Be Like Ravel!

Wednesday, November 6th, 2024

Be Like Ravel! says Stephen Main

On this episode of Music from Humans, host Michael Cooke continues the conversation with Stephen Main, a multifaceted composer, conductor, teacher, and multi-instrumentalist. In this follow up to The Art of Music Improvisation, Stephen shares his thoughts on what composers should do to be came better composers.

Subscribe to “Music from Humans” for more insights into the lives of creators who make our world a richer place through their art.

Further Exploration

Share

Stephen Main

Monday, October 21st, 2024
Stephen Main

Stephen Main


Stephen Main is a multifaceted composer, conductor, teacher, and film scorer with a deep background in choral and orchestral music. His career began in New York City, where he was introduced to the world of choral music as a choirboy at St. Thomas Church Fifth Avenue, singing under the renowned organist and choral director Gerre Hancock. This formative experience inspired his lifelong passion for composition and music. Stephen went on to study at Oberlin Conservatory, where he earned a B.Mus. in organ performance, alongside a B.A., M.A., and Ph.D. in Religious Philosophy from the University of Chicago.

Stephen’s compositions are recognized for their emotional depth and intricate harmonies, having won several prestigious awards, including the John Ness Beck Award for outstanding achievement in choral composition and the American Composers Forum carol contest. His work has been hailed by the Minneapolis Star-Tribune as “evocative” and able to “capture mystery,” establishing his presence in both sacred and secular music circles.

Currently serving as the Minister of Music at Piedmont Community Church in the Bay Area, Stephen balances his time between composing, conducting, and performing. His compositions have been performed by choirs and orchestras across the U.S., and his extensive body of work includes film scores. His passion for teaching is equally evident—he is active as an instructor, conductor, organist, and harpist, with recent appearances throughout Northern California, Los Angeles, and the Midwest.

Stephen Main’s musical journey is deeply intertwined with his love for both performance and education. He is known not only for his contributions to choral and orchestral music but also for inspiring future generations of musicians through his teaching and mentorship. Living between San Francisco and Los Angeles, Stephen continues to expand his creative reach, composing for film, conducting major performances, and cultivating a love of music in his students.

Share

The Art of Music Improvisation with Stephen Main

Monday, October 21st, 2024

The Art of Music Improvisation with Stephen Main

On this episode of Music from Humans, host Michael Cooke engages with Stephen Main, a multifaceted composer, conductor, teacher, and multi-instrumentalist. As the Minister of Music at Piedmont Community Church, Stephen brings a rich narrative of a musical career that traverses choral, orchestral, and film music, grounded in his foundational skills as an organist trained at Oberlin Conservatory.

Our discussion delves deep into the core of musical creativity—improvisation. Stephen shares his profound connection with historical musical practices, highlighting how improvisation shaped the Western musical canon, from Bach to contemporary compositions. He argues passionately for the reintegration of spontaneous creativity in classical music performances, drawing parallels between the roles of an organist and a film score composer in creating adaptive, atmospheric music.

This episode not only explores Stephen’s personal and professional musical philosophies but also ignites a conversation on the transformative power of live improvisation in enriching modern classical music. Join us as we explore how the historical threads of improvisation continue to weave through the fabric of today’s musical landscapes, promising a rejuvenated appreciation for live, dynamic expressions in music.

Subscribe to “Music from Humans” for more insights into the lives of creators who make our world a richer place through their art.

Further Exploration

Share

Exploring Microtonality with Emily Koh

Monday, October 7th, 2024

Exploring Microtonality with Emily Koh

In this episode, I’m excited to introduce Emily Koh, a Singaporean composer and bassist renowned for her groundbreaking work in microtonality. Now based in Atlanta as a professor at the University of Georgia, Emily is pushing the boundaries of contemporary music.

Hailed as “the future of composing” by The Straits Times, Emily’s works have been performed globally, and she has earned prestigious honors like the Copland House Residency Award. Her music blends intricate microtonal scales with innovative techniques, creating an otherworldly sonic experience.

In our conversation, Emily shares her journey into microtonality, starting with her early days as a bassist and a transformative trip to Bali, where she encountered Gamelan ensembles. We also explore how she composes microtonal music and her work developing custom instruments like the Microharmonic and ModμMIDI, which allow musicians to explore this complex sound world in new ways.

Whether you’re a fan of microtonality or curious about the future of music, this episode offers unique insights into the creative process behind Emily Koh’s extraordinary work.

Subscribe to “Music from Humans” for more insights into the lives of creators who make our world a richer place through their art.

Further Exploration

Share

Emily Koh

Monday, October 7th, 2024
Emily Kohs

Emily Koh


Emily Koh is a Singaporean composer and double bassist known for her innovative approach to microtonality and timbral exploration. Now based in Atlanta, Georgia, she is an Associate Professor of Composition at the University of Georgia, where her work continues to push the boundaries of contemporary music. Her compositions, often described as otherworldly and intricate, focus on the subtle, detailed layers of sound.

Emily holds a Ph.D. in Music Composition and Theory from Brandeis University, along with MM degrees from the Peabody Institute at Johns Hopkins University. She also earned a Bachelor of Music in Composition from the Yong Siew Toh Conservatory of Music at the National University of Singapore.

Recognized globally, Emily has received numerous awards, including the Copland House Residency Award, the Young Artist Award from Singapore’s National Arts Council, and the Yoshiro Irino Memorial Prize. Her works have been performed internationally by prestigious ensembles such as the Talea Ensemble and Avanti! Chamber Orchestra. Her music has been described as “beautifully eerie” by The New York Times and “subtly spicy” by The Baltimore Sun.

Beyond her academic and creative work, Emily is passionate about collaboration, often working with artists across different disciplines. She has developed custom microtonal instruments like the Microharmonic and the ModμMIDI, allowing composers and performers to explore new musical territories.

Share

A Composer’s Dilemma Continues: Moving From Finale to Sibelius:

Thursday, September 26th, 2024

Moving From Finale to Sibelius

In this special follow-up episode of “Music from Humans,” we delve into the challenges and intricacies faced by composers when transitioning between music notation software. It is recommended you watch “Moving From Finale to Dorico or MuseScore” first. With the recent announcement that Finale will no longer be supported, many composers, including our host, are forced to migrate their work to other platforms such as Sibelius.

Join me as I explore a personal journey from using Finale, a tool relied upon since the late ’80s, to adapting to new environments. This episode isn’t a tutorial but a real-time exploration of what it takes to transfer compositions across different software. We’ll tackle the warnings about Sibelius from other composers and the technical hurdles.

I will share my firsthand experiences with Sibelius, highlighting both the possibilities and the challenges of these tools. Whether it’s dealing with file compatibility issues, learning new interfaces, or ensuring that complex musical notations are preserved, this episode covers it all.

👉 Tune in to learn more about preserving the integrity of musical compositions during software transitions, and discover tips on how to choose the right tools for your creative process.

Subscribe to “Music from Humans” for more behind-the-scenes looks at the lives and workflows of musicians and composers!

Further Exploration

Share

A Composer’s Dilemma: Moving From Finale to Dorico or MuseScore

Tuesday, September 17th, 2024

Moving From Finale to Dorico or MuseScore

In this special episode of “Music from Humans,” we delve into the challenges and intricacies faced by composers when transitioning between music notation software. With the recent announcement that Finale will no longer be supported, many composers, including our host, are forced to migrate their work to other platforms such as MuseScore and Dorico.

Join me as I explore a personal journey from using Finale, a tool relied upon since the late ’80s, to adapting to new environments. This episode isn’t a tutorial but a real-time exploration of what it takes to transfer compositions across different software. We’ll tackle the technical hurdles, from installation woes to adapting modern notation practices in new systems.

I will share my firsthand experiences with MuseScore and Dorico, highlighting both the possibilities and the challenges of these tools. Whether it’s dealing with file compatibility issues, learning new interfaces, or ensuring that complex musical notations are preserved, this episode covers it all.

👉 Tune in to learn more about preserving the integrity of musical compositions during software transitions, and discover tips on how to choose the right tools for your creative process.

Subscribe to “Music from Humans” for more behind-the-scenes looks at the lives and workflows of musicians and composers!

Further Exploration

Share

Exploring the National Parks Through Music with Stephen Lias

Tuesday, September 3rd, 2024

Exploring the National Parks Through Music with Stephen Lias

In this episode as we delve into the inspiring world of Stephen Lias, a composer whose work celebrates the majesty of America’s national parks. From Denali’s rugged peaks to the mysterious depths of Carlsbad Caverns, Stephen’s music transports listeners into the wilderness through his vivid sonic landscapes.

Stephen, a professor at Stephen F. Austin State University, has collaborated with top orchestras like the Boulder Philharmonic and the Russian String Orchestra. Today, we explore his creative journey, discussing the intricacies of composing music that echoes nature’s splendor and the practical aspects of his artistic career, including the business of music, and how a well-crafted contract can protect artistic vision.

Don’t miss this engaging conversation with Stephen Lias, where music meets the wild. Subscribe to “Music from Humans” for more insights into the lives of creators who make our world a richer place through their art.

Further Exploration

Share