Posts Tagged ‘Music from Humans’

Be Like Ravel!

Wednesday, November 6th, 2024

Be Like Ravel! says Stephen Main

On this episode of Music from Humans, host Michael Cooke continues the conversation with Stephen Main, a multifaceted composer, conductor, teacher, and multi-instrumentalist. In this follow up to The Art of Music Improvisation, Stephen shares his thoughts on what composers should do to be came better composers.

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Stephen Main

Monday, October 21st, 2024
Stephen Main

Stephen Main


Stephen Main is a multifaceted composer, conductor, teacher, and film scorer with a deep background in choral and orchestral music. His career began in New York City, where he was introduced to the world of choral music as a choirboy at St. Thomas Church Fifth Avenue, singing under the renowned organist and choral director Gerre Hancock. This formative experience inspired his lifelong passion for composition and music. Stephen went on to study at Oberlin Conservatory, where he earned a B.Mus. in organ performance, alongside a B.A., M.A., and Ph.D. in Religious Philosophy from the University of Chicago.

Stephen’s compositions are recognized for their emotional depth and intricate harmonies, having won several prestigious awards, including the John Ness Beck Award for outstanding achievement in choral composition and the American Composers Forum carol contest. His work has been hailed by the Minneapolis Star-Tribune as “evocative” and able to “capture mystery,” establishing his presence in both sacred and secular music circles.

Currently serving as the Minister of Music at Piedmont Community Church in the Bay Area, Stephen balances his time between composing, conducting, and performing. His compositions have been performed by choirs and orchestras across the U.S., and his extensive body of work includes film scores. His passion for teaching is equally evident—he is active as an instructor, conductor, organist, and harpist, with recent appearances throughout Northern California, Los Angeles, and the Midwest.

Stephen Main’s musical journey is deeply intertwined with his love for both performance and education. He is known not only for his contributions to choral and orchestral music but also for inspiring future generations of musicians through his teaching and mentorship. Living between San Francisco and Los Angeles, Stephen continues to expand his creative reach, composing for film, conducting major performances, and cultivating a love of music in his students.

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The Art of Music Improvisation with Stephen Main

Monday, October 21st, 2024

The Art of Music Improvisation with Stephen Main

On this episode of Music from Humans, host Michael Cooke engages with Stephen Main, a multifaceted composer, conductor, teacher, and multi-instrumentalist. As the Minister of Music at Piedmont Community Church, Stephen brings a rich narrative of a musical career that traverses choral, orchestral, and film music, grounded in his foundational skills as an organist trained at Oberlin Conservatory.

Our discussion delves deep into the core of musical creativity—improvisation. Stephen shares his profound connection with historical musical practices, highlighting how improvisation shaped the Western musical canon, from Bach to contemporary compositions. He argues passionately for the reintegration of spontaneous creativity in classical music performances, drawing parallels between the roles of an organist and a film score composer in creating adaptive, atmospheric music.

This episode not only explores Stephen’s personal and professional musical philosophies but also ignites a conversation on the transformative power of live improvisation in enriching modern classical music. Join us as we explore how the historical threads of improvisation continue to weave through the fabric of today’s musical landscapes, promising a rejuvenated appreciation for live, dynamic expressions in music.

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Exploring Microtonality with Emily Koh

Monday, October 7th, 2024

Exploring Microtonality with Emily Koh

In this episode, I’m excited to introduce Emily Koh, a Singaporean composer and bassist renowned for her groundbreaking work in microtonality. Now based in Atlanta as a professor at the University of Georgia, Emily is pushing the boundaries of contemporary music.

Hailed as “the future of composing” by The Straits Times, Emily’s works have been performed globally, and she has earned prestigious honors like the Copland House Residency Award. Her music blends intricate microtonal scales with innovative techniques, creating an otherworldly sonic experience.

In our conversation, Emily shares her journey into microtonality, starting with her early days as a bassist and a transformative trip to Bali, where she encountered Gamelan ensembles. We also explore how she composes microtonal music and her work developing custom instruments like the Microharmonic and ModμMIDI, which allow musicians to explore this complex sound world in new ways.

Whether you’re a fan of microtonality or curious about the future of music, this episode offers unique insights into the creative process behind Emily Koh’s extraordinary work.

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Emily Koh

Monday, October 7th, 2024
Emily Kohs

Emily Koh


Emily Koh is a Singaporean composer and double bassist known for her innovative approach to microtonality and timbral exploration. Now based in Atlanta, Georgia, she is an Associate Professor of Composition at the University of Georgia, where her work continues to push the boundaries of contemporary music. Her compositions, often described as otherworldly and intricate, focus on the subtle, detailed layers of sound.

Emily holds a Ph.D. in Music Composition and Theory from Brandeis University, along with MM degrees from the Peabody Institute at Johns Hopkins University. She also earned a Bachelor of Music in Composition from the Yong Siew Toh Conservatory of Music at the National University of Singapore.

Recognized globally, Emily has received numerous awards, including the Copland House Residency Award, the Young Artist Award from Singapore’s National Arts Council, and the Yoshiro Irino Memorial Prize. Her works have been performed internationally by prestigious ensembles such as the Talea Ensemble and Avanti! Chamber Orchestra. Her music has been described as “beautifully eerie” by The New York Times and “subtly spicy” by The Baltimore Sun.

Beyond her academic and creative work, Emily is passionate about collaboration, often working with artists across different disciplines. She has developed custom microtonal instruments like the Microharmonic and the ModμMIDI, allowing composers and performers to explore new musical territories.

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A Composer’s Dilemma Continues: Moving From Finale to Sibelius:

Thursday, September 26th, 2024

Moving From Finale to Sibelius

In this special follow-up episode of “Music from Humans,” we delve into the challenges and intricacies faced by composers when transitioning between music notation software. It is recommended you watch “Moving From Finale to Dorico or MuseScore” first. With the recent announcement that Finale will no longer be supported, many composers, including our host, are forced to migrate their work to other platforms such as Sibelius.

Join me as I explore a personal journey from using Finale, a tool relied upon since the late ’80s, to adapting to new environments. This episode isn’t a tutorial but a real-time exploration of what it takes to transfer compositions across different software. We’ll tackle the warnings about Sibelius from other composers and the technical hurdles.

I will share my firsthand experiences with Sibelius, highlighting both the possibilities and the challenges of these tools. Whether it’s dealing with file compatibility issues, learning new interfaces, or ensuring that complex musical notations are preserved, this episode covers it all.

👉 Tune in to learn more about preserving the integrity of musical compositions during software transitions, and discover tips on how to choose the right tools for your creative process.

Subscribe to “Music from Humans” for more behind-the-scenes looks at the lives and workflows of musicians and composers!

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A Composer’s Dilemma: Moving From Finale to Dorico or MuseScore

Tuesday, September 17th, 2024

Moving From Finale to Dorico or MuseScore

In this special episode of “Music from Humans,” we delve into the challenges and intricacies faced by composers when transitioning between music notation software. With the recent announcement that Finale will no longer be supported, many composers, including our host, are forced to migrate their work to other platforms such as MuseScore and Dorico.

Join me as I explore a personal journey from using Finale, a tool relied upon since the late ’80s, to adapting to new environments. This episode isn’t a tutorial but a real-time exploration of what it takes to transfer compositions across different software. We’ll tackle the technical hurdles, from installation woes to adapting modern notation practices in new systems.

I will share my firsthand experiences with MuseScore and Dorico, highlighting both the possibilities and the challenges of these tools. Whether it’s dealing with file compatibility issues, learning new interfaces, or ensuring that complex musical notations are preserved, this episode covers it all.

👉 Tune in to learn more about preserving the integrity of musical compositions during software transitions, and discover tips on how to choose the right tools for your creative process.

Subscribe to “Music from Humans” for more behind-the-scenes looks at the lives and workflows of musicians and composers!

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Exploring the National Parks Through Music with Stephen Lias

Tuesday, September 3rd, 2024

Exploring the National Parks Through Music with Stephen Lias

In this episode as we delve into the inspiring world of Stephen Lias, a composer whose work celebrates the majesty of America’s national parks. From Denali’s rugged peaks to the mysterious depths of Carlsbad Caverns, Stephen’s music transports listeners into the wilderness through his vivid sonic landscapes.

Stephen, a professor at Stephen F. Austin State University, has collaborated with top orchestras like the Boulder Philharmonic and the Russian String Orchestra. Today, we explore his creative journey, discussing the intricacies of composing music that echoes nature’s splendor and the practical aspects of his artistic career, including the business of music, and how a well-crafted contract can protect artistic vision.

Don’t miss this engaging conversation with Stephen Lias, where music meets the wild. Subscribe to “Music from Humans” for more insights into the lives of creators who make our world a richer place through their art.

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Stephen Lias

Tuesday, September 3rd, 2024
Stephen Lias

Stephen Lias


Stephen Lias is an American composer known for his adventurous and nature-inspired works, particularly those that celebrate and draw inspiration from the national parks of the United States. His compositions often blend traditional classical forms with a modern sensibility, creating evocative soundscapes that capture the majesty and mystery of the natural world.

Lias’s music has been performed by numerous orchestras and ensembles across the U.S. and internationally. His unique focus on wilderness-inspired compositions led him to create works such as “The Range of Light,” “Kings Canyon,” and “Denali,” which are directly influenced by his experiences in the respective national parks.

Stephen Lias is also an active educator, serving as a Professor of Composition at Stephen F. Austin State University in Texas. His passion for teaching is evident in his mentorship of young composers and his involvement in numerous workshops and residencies.

In addition to his compositions for concert halls, Lias has written music for theater and has been a featured composer at many festivals and events that emphasize the intersection of art and nature. His work often reflects his belief in the power of music to communicate the beauty and fragility of the natural environment, making him a prominent voice in contemporary American music.

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Exploring Musical Empathy with Liz Dilnot Johnson

Monday, August 19th, 2024

Echoes of Humanity: with Liz Dilnot Johnson

In this episode, we’re honored to delve into the world of Liz Dilnot Johnson, a composer whose profound works echo deep communal stories and social issues. In this video, we dive into Liz’s acclaimed piece, “When a Child is a Witness,” a requiem dedicated to refugees and a tribute to their resilience and plight. This award-winning composition, which garnered the prestigious Ivors Composer Award for Community and Participation in 2022, has touched audiences globally with its powerful narrative and emotional depth. Liz has dedicated her career to addressing pressing social issues through her music. With a diverse catalog ranging from delicate chamber music to grand orchestral works, Liz’s music speaks to the soul and advocates for change. Join us for an in-depth look at how Liz Dilnot Johnson’s music not only reflects but also shapes our understanding of empathy and solidarity through art.

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